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A Few Words About the Word

A session with Craig Lancaster



Several years ago, I would rope my Facebook friends into this weekly crowdsourced writing project called "The Word." The exercise was not my invention. I lifted it from Janet Fitch after I'd read something from her about it, and it quickly became something I did both on my own time and on those rare occasions when I would lead a writing workshop.


It's such a simple concept, full of creative potential: You solicit a single word, then proceed like so: That word inspires a short story that you're to write in a nominal amount of time (say, an hour), and the resulting story must include the word. It's so much fun to give a single word to a large group of writers—say, for example, a group of inmates at the Oregon State Prison, where I led a workshop several years ago—and see the wide diversity of what comes back.


So every week for the better part of a year, I'd say something like this on Facebook: "Give me a word. Any word will do. Give it to me." I'd accept suggestions for an hour or so, run a random number generator, choose the corresponding word, then sit down and write.


Below is an example of a resulting story, taken from my collection The Art of Departure. If I remember correctly, the word that prompted this one was "squab." It ended up taking quite the backseat in the story it inspired.



Ponzi


In September of that year, our neighbor Wayne had this idea that he could get rich by selling groceries Amway-style, and he booted his twelve-year-old boy out of his own bedroom and put up shelves loaded with packages of spaghetti, cans of roast beef, soda pop by the case and other non-perishable goods.


Soon after, Wayne came over to our house and gave my folks the pitch, showed them how, if they just signed up a few friends and those friends signed up a few friends, and so on, they could make as much as $10 million a month, all by making a little bit on every transaction.


“Everybody needs groceries,” Wayne said, mopping sweat off the folds of blubber on his neck. “It’s the perfect plan.”


My pop liked Wayne, liked going out with him occasionally and tossing back some suds, and he paid the ten-dollar membership fee and accepted the tabbed folder that contained the list of goods and prices, as well as several pages of helpful hints for enrolling friends in the program.


“We’ll see what we can do with it, Wayne,” Pop said, showing him to the door. “It’s an interesting idea you have here.”


The old man had said something similar a few times before. We still had a shed full of cleaning chemicals that Wayne had foisted on Pop in an earlier scheme. The stuff was supposed to get rid of deep grime on contact, and sure enough, it performed as advertised. It also ate a hole in our carpet. Pop put the stuff in the storage shed because, I think, he didn’t quite know how to dispose of it, and he didn’t want to hurt Wayne’s feelings. A similar sensibility had driven him to sneak out of the house one night and open the door to the pigeon coop Wayne had insisted he build. The next morning, the flock had flown away, and Pop went across the street and told Wayne that they wouldn’t be making that killing on squab.


“You’re a soft touch, Leonard,” Mom scolded him, and Pop mumbled something about how it didn’t hurt anything.


Mom often said that the old man “enabled” Wayne’s irresponsible behavior; most of Mom’s vocabulary came from the self-help books she consumed with the fervor of the newly touched religious. That idea never seemed to resonate with Pop.


Mom thumbed through the folder. “This isn’t going to work.”


“Why not?” Pop asked. “Seems like a decent idea. Like Wayne said, everybody needs groceries.”


“Yeah, but look at this.” Mom thrust the folder at him. “Now just look at that: Cheer laundry detergent for $2.49. I can get it for a dollar less down at Skaggs. And $1.50 for a two-liter bottle of Coke? I got it for 99 cents yesterday!”


It went on like that for another half-hour or so. After the first few broadsides by Mom against Wayne’s plan, Pop looked for an escape. He tuned in to the Texas Rangers game on the radio, while Mom sat at the kitchen table and lingered over the list of products and prices. Their interplay was a series of exclamations in one room and knob adjustments in the other.


“Two-ninety-nine for Sanka!”


Pop turned up the volume on the radio.


“A buck eighty-nine for Doritos!”


Pop flipped over to Bill Mack on WBAP.


“A dollar-ten for a can of tuna!”


The old man turned off the radio and went outside.


“Rangers lost,” I said. I held open a lawn bag so Pop could scoop a load of early fallen leaves into it.


“Figures,” he said.


I shook the bag to settle the leaves and then tied off the top. Pop fished his smokes from his front pocket and lit up.


“I guess Wayne’s idea has a few flaws,” I said.



 

About the Author…

CRAIG LANCASTER is the author of nine novels, including the bestselling Edward series (600 Hours of Edward, Edward Adrift, and Edward Unspooled), as well as a collection of short stories.

600 Hours of Edward, his debut, was a Montana Honor Book and the 2010 High Plains Book Award winner for best first book. His work has also been honored by the Utah Book Awards (The Summer Son) and with an Independent Publisher Book Awards gold medal (the short story collection The Art of Departure), among other citations.

Lancaster lives in Billings, Montana, with his wife, author Elisa Lorello, a dog named Fretless, and a cat named Spatz.

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